supposing I were a Hollywood mogul…

…I’d remake this Soviet musical mini-series with English lyrics, starring Eric Balfour as D’Artagnan. I mean… eric20balfour20o920visionarios_xl

// click the image to go to the publication I stole the photo from //

An equally great idea would be to make a TV show about Glen Cook’s Garrett, P.I. – because (apart from height) Mr Balfour would make a perfect Morley Dotes (image stolen from the same interview).

 

eric20balfour_polaroid_lowres_1

 

I’m not sure if Garrett Files could lend themselves well to being made into a musical, though.

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More on Garrett, while I’m at it

First of all, wikipedia says the series is actually a couple of years younger than me. 1987 rather than 1978. Blame my suspected dyscalculia.

Then… I find the lack of Garrett fanart disturbing. I mean, there is a whole internet out there, but either my google-fu failed me, or, well…

I have found this artist, though: dajkiry @ tumblr

Funny how different book characters look in your head and in the minds of other people. Only Winger is similar to how I see her; and I didn’t even recognise Tinnie. I have always pictured her as way more traditionally feminine.

Chances are slim, but if you folks ever encounter some meaningful Garrett PI fanart, please don’t hesitate to shoot me a link. I’d love to see it.

And yeah, I need to get around to scanning some of my own sketches.

Daggers and Steele, or “Inspired by ™”

Given that the first thing I did on Kindle was to load up on all the ‘Garrett, PI’ titles I didn’t have, the system figured out I could use some recommendations. And boy, recommend it did.

Alex P Berg’s Daggers & Steele series. I’m not linking because, well… I know what it’s like, being inspired by someone else’s universe and/or characters. But trying too hard to copy a particular thing specific to another writer… that’s a bit beyond me.

The first novel of the series is $1 till May 13th, so I did buy it. And I will finish it, since it’s actually not that bad per se.

Oh. Sorry. I just realised there may be people out there who have no idea who Garrett is and what I am actually talking about. Well, Garrett, whose first name the readers haven’t been privy to yet (and the series is a few years older than me, IIRC), he’s a private investigator (duh) in a fantasy world, and the author who introduced us to him is Glen Cook.

I have loved Garrett’s adventures since my early teens at least, and to this day I find a lot of stuff to relate to in these books. It all may be a ‘hardboiled detective pastiche’/’fantasy noir’ on the surface, but there are very poignant observations of the psychological and social kind that Garrett makes about the world around him.

And this is what seems to be missing from Mr Berg’s faithful reimagining. Yes he can pull off a similar style – first-person, fast-paced, all quips and slang. Yes he will sprinkle the text with ‘nods’ to the Garrett Files that you have to be blind not to see. But.

The ‘meat’ of the story is where Mr Berg seems to lack. Not just plot. The meaning. The message. Something that separates timeless from fleeting.

Let alone the fact that Cook deftly weaves in his original worldbuilding right away from the first few pages of Sweet Silver Blues. While I have read 32% (thank you, Kindle) of the first Daggers & Steele book, and I have no idea of what the setting is like, other than that some details are very Garrett-y (TunFaire-y? TunFaire’s the city where Garrett lives).

What fantasy subgenre would be so careless with worldbuilding, I have no idea.

But still… I love crime/mystery/detective stories set in fantasy worlds. I much prefer them to find-the-treasure/save-the-world quests that the genre is riddled with. So, if the copycatting were kept down and more thought invested in the not-so-immediately-obvious parts of the whole shebang, I would have probably liked this book much more.